| 摘要: |
| 郑声是孔子对一种非雅音乐的贬称,它滥觞于殷商,得名于春秋,流行于战国,影响及于后世。对于习惯了雅乐的贵族而言,郑声的确是“新声”。但是,它的前身却是商纣王的“新淫声”,比西周制作的雅乐还要古老。郑声的表演者是没有人身自由的女乐或乐师,欣赏者是拥有特权的新兴贵族,因此在本质上它属于宫廷音乐。当然,这并不排除在特殊情况下郑声会流行于民间,也不排除它会吸收民间音乐的因素。 |
| 关键词: 郑声 民间音乐 宫廷音乐 |
| DOI： |
| 分类号:I206.2 |
| 基金项目: |
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| The Music of Zheng Was Not a Kind of Folk Music |
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LU Hong1, SHANG Xiu chun2
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(1.School of Chinese Language and Literature, Beijing Normal University, Beijing 100875, China;2.Department of Physics, Anshan Normal College, Anshan, Liaoning 114007, China)
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| Abstract: |
| The music of Zheng was called by Confucius to devaluate a kind of music which was different from that of Zhou. It came from the Shang Dynasty, got the name in the Spring and Autumn, was accepted widely in the War States and influenced generations afterwards. For the nobilities who accustomed to the ceremonial music, the music of Zheng was a new voice. However, its precursor was the New Voice of Zhou King of the Shang Dynasty, which was older than the ceremonial music of Zhou. The performers of the music of Zheng were male or female artists who had no freedom. And the audiences were the newly arisen nobilities who had the privileged power. Therefore, the music of Zheng belonged to palace music. But in the special condition, the music of Zheng was widely accepted in country and it also absorbed something from the folk music. |
| Key words: the Music of Zheng folk music palace music |
