| 摘要: |
| 明代中期,诗画契合更为明显。文艺趣味的“俗”化,除通俗文学外,诗画中也有明显反映。作为这一时期吴中诗画的主要代表之一——沈周的诗画,题材和形式都有“俗”化的特征。其原因主要有作者的平民化、市民化倾向,对“俗”认可的文艺观,以及诗画流通环节的商品化等几个方面。 |
| 关键词: 沈周 诗画 “俗” 原因 |
| DOI： |
| 分类号:I207.2 |
| 基金项目: |
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| On the Vulgarization of Poetry and Painting of Shen Zhou |
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CHENG Ritong
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(Dpartment of Chinese Language and Literature, Heze University, Heze, Shandong 274015, China)
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| Abstract: |
| Since the Metaphase of the Ming Dynasty, the interest of literature and art became tawdry, which not just had influence on popular literature, but on high literature and art. The poetry and painting of Shen Zhou who was a representative of Wu Zhong scholar, all becoming popular from content to form, because the author was the common people and townspeople and had theory of literature and art with vulgarization accepted and poetry and painting becoming merchandise during swapping. |
| Key words: Shen Zhou poetry and painting vulgarization cause of formation |
