| 摘要: |
| 中国古代游侠的内涵与游侠文学息息相关,且随之不断变化发展。到了盛唐,游侠诗在儒家思想与文人诗传统的持续改造下,所展现的游侠内涵产生了新的变化。他们虽不再单纯地以武力对抗统治,却将明恩怨、轻生死等特质继续发扬,并将报恩的对象固定为君王。同时,受强盛国力与尚武风气的影响,一些出身较高的少年将任侠视为取乐之资,另外一些女性也具有“侠”的特征。这种转变源于当时文人实现自身价值方式的变化,而游侠诗恰可展现文人不同的身份认知,即报国的英雄、耻于虚度的“儒”与“侠”与重义轻利的“烈士”。至此,游侠在内涵上得到最大突破,中国古代游侠诗的发展也到达顶峰。 |
| 关键词: 盛唐 游侠诗 游侠形象 身份认知 |
| DOI：10.13216/j.cnki.upcjess.2024.01.0015 |
| 分类号:I207.22 |
| 基金项目:中央高校基本科研业务费资助项目(2023CXZZ048) |
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| New Changes in the Connotation of Chivalries and Cognition of the Literati 's Identity in Chivalric Poetry in the Prosperous Tang Dynasty |
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SONG Dingkun
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(School of Humanities, Huazhong University of Science and Technology, Wuhan 430070, Hubei, China)
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| Abstract: |
| The connotation of chivalry in ancient China was closely related to chivalric literature and was constantly changing and developing in response to the latter. In the prosperous Tang Dynasty, its connotation took on new changes under the continuous influence of Confucianism and the tradition of literati poetry. As a result, the poems continued to inherit and carry forward the chivalric traits of identifying clearly gratces from grudges and taking lightly of life and death matters and highlighting repayment of gratitude to the king rather than simply fighting against the rule by force. More than that, some young men of noble birth regarded chivalry as a means of pleasure and some women were also characterized as chivalrous due to the strong national power and the martial culture. The aforementioned changes derived from the transformation of the literati 's way of realizing their own value, for the chivalrous poetry can manifest their different identity perceptions, namely, the hero dedicated to the country, the"Confucian"ashamed of wasting time and the"chivalry"characteristic of weighing righteousness against profits By then, the connotation of chivalry gained a breakthrough and the Chinese chivalric poetry reached its peak. |
| Key words: prosperous Tang Dynasty chivalric poetry image of chivalry identity perception |
