| 摘要: |
| 理性传统决定了西方的意象研究以想象过程为切入点,理性的参与使意象中蕴含的情感淡化,并逐渐客观化为图片;20世纪初以庞德为代表的“意象主义”深受中国古典诗歌的影响,但意象主义意象论在本质上仍属于西方传统,偏重图片效果和象征意味。 |
| 关键词: 意象 理性 图片 象征 |
| DOI： |
| 分类号:I01 |
| 基金项目:教育部人文社会科学研究项目(09YJC751066) |
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| Image in Western Context |
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PAN Dao zheng
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(School of Chinese Culture and Communications, Tianjin Foreign Studies University, Tianjin 300204, China)
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| Abstract: |
| The western study of image is based on the process of imagination, which is determined by the tradition of reason. It is the reason's involvement which weakens the emotion contained in image and makes image an objective picture. The imagism which is represented by Pound in the early 20th century is deeply influenced by Chinese classical poems. However, the imaginary theory of imagism yet belongs to western tradition in nature and emphasizes the effects of picture and the meaning of symbol. |
| Key words: image reason picture symbol |
