| 摘要: |
| 如果说叶赛宁和马雅可夫斯基代表了苏联诗歌的两大传统,那么臧克家与艾青则代表了中国新诗的两种走向。在艺术渊源上,臧克家受中国传统影响颇深,融入了古典诗词的意境与技艺;艾青受外国文艺影响明显,易于摆脱传统的羁绊。在美学特征上,臧克家反对诗歌语言的散文化,艾青则提倡散文化;臧克家追求诗歌意象的典雅,艾青则从西方现代派诗歌中汲取养分;在题材的选择上,两位诗人既有共同之处,又有明显的差异。 |
| 关键词: 臧克家 艾青 诗歌 走向 |
| DOI： |
| 分类号:I226,I227 |
| 基金项目: |
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| Two Trends of Chinese New Poetry ——Comparison between Zang Kejia 's and Ai Qing 's Poetry |
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CHANG Wen chang1, WANG Wei ying2
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(1.School of Chinese Language and Literature, Lanzhou University, Lanzhou, Gansu 730000, China;2.College of Chinese Language and Literature, Wuhan University, Wuhan, Hubei 430072, China)
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| Abstract: |
| If we say Есенин and Маяковский represent two different styles of Soviet poetry, then Zang Kejia 's and Ai Qing 's poetry shows two trends of Chinese new poetry. At the origin of art, Zang Kejia was deeply influenced by Chinese traditions, involved in the artistic conception and skill of classical poetry while Ai Qing was evidently influenced by foreign literature and art, subject to breaking away from being traditionally shackled. At the aesthetic character, Zang Kejia opposed to liberty of poetical language, but Ai Qing advocated it consciously. Zang Kejia sought image elegance of poetry whereas Ai Qing assimilated pabulum from the West Modernist 's poetry. At the subject matter of art, there are both similarities and differences between Zang Kejia 's and Ai Qing 's poetry. |
| Key words: Zang Kejia Ai Qing poetry trend |
