| 摘要: |
| 戏曲与词有着天然的内部联系。今以《六十种曲》为例,专论其中明传奇文本的剧中词之著作权、词牌运用、语体色彩、叙事与再现等问题。剧中词著作权属于前人、为明人套改前人成篇或剧作家原创。剧中词词牌与日用类书、小说存在某种高度的相似性,大致可以分为叙述体与代言体两类叙述方式。 |
| 关键词: 明代 戏曲 词学 传播 《六十种曲》 |
| DOI： |
| 分类号:I222.8 |
| 基金项目: |
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| Research on Ci Poems in Operas of the Ming Dynasty:Centering around Legends in Mao Jin 's Sixty Songs |
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WANG Chao
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(College of Literature, Wuhan University, Wuhan, Hubei 430072, China)
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| Abstract: |
| Operas and ci poems has a natural internal links. Taking the Sixty Songs for example, discussions are made on monographs which include the copyright, Cipai using, styles, narratives and other issues. Its copyright belongs to their predecessors, the Ming Dynasty set to change the previous chapters or original. there is some degree of similarity in Cipai of the Sixty Songs, encyclopedias and novels which can be divided into two types of narrating ways. |
| Key words: the Ming Dynasty opera ci poems circulation Sixty Songs |
