| 摘要: |
| 《过客》是鲁迅文学创作生涯中的唯一一部诗剧,其体裁独具一格。现代诗剧《过客》内在的核心结构是作者的意念,鲁迅本人的强烈意念取代了戏剧情节与戏剧冲突,成为结构全文的核心；同时,结合鲁迅创作《野草》的时代背景,可以发现诗剧《过客》的语言形式与象征系统也是独异众人的,《过客》的语言形式是一种诗语与剧语的结合；而《过客》的象征系统则体现了鲁迅孤独战士的精神特质,将这一时期鲁迅的心路历程通过独具一格的意象折射在作品之中。 |
| 关键词: 鲁迅 诗剧 《过客》 |
| DOI： |
| 分类号:I210.5 |
| 基金项目: |
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| On the Fusion of Poetry and Drama in Luxun 's The Passer-by |
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DONG Huichuan
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(School of Literature, Shandong Normal University, Jinan, Shandong 250000, China)
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| Abstract: |
| The Passer-by (Guo Ke) is the only dramatic poem of Lu Xun in his literary career. Its genre is very unique and its inner core structure is the writer 's ideas. Lu Xun 's own strong ideas replace the plot and conflict of drama and become the core of the whole structure. Seen from the background of Lu Xun 's works of Weeds(Ye Cao), the language forms and symbolic system of The Passer-by are also very unique. Its language is one that combines poetic language and drama language. Its symbolic system reflects Lu Xun 's lone warrior ethos and records with unique images his own thoughts and feelings during this period. |
| Key words: Lu Xun a poetical drama The Passer-by |
