| 摘要: |
| 陈三立七律自成“散原体”,艺术成就卓著。置其于中国古典诗歌创作链条之末,察其七律中拗救之使用,对深入理解古典诗歌创作中拗救运用的形式体制与艺术功用有较为实际的意义。其七律所用之拗救类型几乎囊括拗救理论范围内的各种形式,并且在增强律句强度、美化音节、突出表达情感与强调诗意方面有其独特的表达效果。此外,其所用拗救形式亦有助于打破律句常规体式,使得固定化的律句体制得以有新鲜血液的融入而更加丰富多彩。 |
| 关键词: 七律 拗救 形式体制 艺术功用 陈三立 |
| DOI：10.13216/j.cnki.upcjess.2018.04.0015 |
| 分类号:I206.5 |
| 基金项目: |
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| On the Format and Effect of Aojiu in Septasyllabic: Based upon the Septasylabic of Chen Sanli |
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ZHOU Yang
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(School of Literature, Shandong University, Jinan, Shandong 250100, China)
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| Abstract: |
| Chen Sanli had created "San Yuan style" in septasyllabic and achieved great accomplishment. It is of great significance for understanding better the form and artistic functions of aojiu in classical poetry to place him at the end of the chain about classical poetry and study the use of aojiu in his septasyllabic. The form of aojiu in Chen Sanli 's septasylabic had almost covered all the types discussed by the theory of aojiu. These aojiu had great unique effect on beautifying the syllable and strengthening the intensity and emphasizing certain kinds of emotion to inspire the mood for poems. Besides, they can not only break the routine of sentences to innovate the new forms of verses, but also liberate the creativity of poets and promote the expressiveness of poems. |
| Key words: septasyllabic aojiu format effect Chen Sanli |
