| 摘要: |
| 玄学美学范畴标志着中国美学的理论智慧与思维水平在魏晋南北朝所达到的一个高峰。玄学美学由否定谶纬神学而建立玄学本体论的美学,并通过玄学美学范畴的建构、完善,逐步使玄学美学本体论范畴趋于成熟。到南北朝期间,玄学美学范畴实现由思性向诗性性质的意蕴拓展,在熔取新的思想文化资源的基础上,使理论思维和实践拓向更大的发展空间。 |
| 关键词: 玄学美学 美学范畴 本体论 魏晋南北朝 |
| DOI： |
| 分类号:B83-02 |
| 基金项目: |
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| On the Ontological Constructing of Metaphysics Aesthetics Categories |
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ZHAO Jian jun
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(School of Literature, Southern Yangtze University, Wuxi Jiangsu 214122, China)
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| Abstract: |
| The metaphysics aesthetics categories sign one peak of theory wisdom and level of Chinese aesthetics in the Wei, Chin, and Northern-Southern Dynasties. The metaphysics aesthetics establishes the ontological system of metaphysical aesthetics by negating prophetic-mixed divinity, and maturing gradually ontological categories. During the period of Northern-Southern Dynasties, the metaphysics aesthetics categories realized the milestone from idealistic thinking to poetical connotation based on the foundation of new culture resources to be melted, and brought the aesthetics theory and practice to a bigger development space. |
| Key words: metaphysics aesthetics aesthetics category the ontology the Wei, Chin, and Northern-Southern Dynasties |
