| 摘要: |
| 早在建国初期,焦菊隐先生就提出建构话剧“中国学派”的艺术理想,即将东方戏曲美学与西方戏剧的表现方法相互结合的创作原则,并在《茶馆》等经典戏剧中践行。新时期后林兆华继续了对“中国学派”话剧理想的探索,他以传统文化为根基,吸取传统戏曲表现的自由、时空的无限和表演的自由等特点,同时在对文学剧本的超越、演出空间的组织结构及新型观演关系的确立、演员形体的可塑性与象征、宏观“面具”的创造等方面表现出现代品格,在继承发扬中国传统戏曲文化精髓的同时,求新求变,实现“一戏一格”,使话剧“中国学派”进一步发展完善,构建了中国当代话剧令人神往的景观。 |
| 关键词: 焦菊隐 林兆华 导表演艺术 安托南·阿尔托 中国学派 |
| DOI：10.13216/j.cnki.upcjess.2018.01.0012 |
| 分类号:J801 |
| 基金项目:中国博士后科学基金资助项目(165601);辽宁省教育厅一般课题(WYB201602) |
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| Lin Zhaohua 's Directing and Performing Arts and Exploration and Development of "Chinese School" in Modern Drama |
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ZHANG Yun
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(School of Art,Liaoning University, Shenyang, Liaoning 110036, China )
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| Abstract: |
| As early as the founding of the People 's Republic of China, Mr. Jiao Juyin, an old dramatist, put forward the artistic ideal of constructing "Chinese school", that is, the creation principle of combining the Eastern drama aesthetics and the Western drama performance methods, and practiced in the "Teahouse" and other classic dramas. After the new period, Lin Zhaohua, the Beijing People 's Art Theatre director, continued the exploration of the "Chinese school drama" ideal, incorporated more personalized artistic pursuits, and the excavation of a new spirit of the times, and the questioning of human nature and philosophy. In Lin Zhaohua 's forty years of drama career, he, based on the traditional culture, inherited and carried forward the essence of Chinese traditional opera culture. At the same time, he sought novelty and change to achieve "one play one style", improved "Chinese school" drama further, and enriched the contemporary drama artistic means, expanding the space of contemporary Chinese drama. |
| Key words: Jiao Juyin Lin Zhaohua directing and performing arts Antonin Artaud Chinese school |
