| 摘要: |
| 《九歌》因其源于楚地民间祭祀的特殊性质,其诗、乐、舞一体的特点决定了作品文本必然体现出流动性。《九歌》中无论是每一篇独立的作品,还是将全部篇目视作一个循环组合,都不是平面的、静止的。《九歌》中存在着大量的动态意象群:乘驾意象群、采摘意象群、自然意象群、声音意象群。这些意象虽然在先秦的其他作品中也十分常见,但却多了动态的属性。意象群的动态属性在舞台节奏、人物情感、时空交替等方面有着重要作用。 |
| 关键词: 《九歌》 动态意象群 流动性 |
| DOI：10.13216/j.cnki.upcjess.2020.01.0010 |
| 分类号:I206.2 |
| 基金项目: |
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| Dynamic Imagery Group in Nine Odes |
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WANG Yiwei
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(School of Chinese Language and Literature, Shaanxi Normal University, Xi 'an, Shaanxi 710119, China)
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| Abstract: |
| Nine Odes is different from other works in Chu Ci(Poetry of the South)for its special nature of folk sacrifice in Chu area. The integration of poetry, music and dance determines the fluidity of the works. Neither a single piece of poem nor the whole work as a circular combination of Nine Odes should be taken as flat and static. There are a lot of dynamic image groups init, such as driving image group, picking image group, natural image group, sound image group and so on. These images, which are very common in other works of Pre-Qin period, are more dynamic. The dynamic attributes of image group are very significant in stage rhythm, character emotion and alternation of time and space. |
| Key words: Nine Odes dynamic imagery group fluidity |
