| 摘要: |
| “唐伯虎点秋香”故事在民间流传过程中出现了各种不同的版本,而此类民间故事在戏曲、弹词文本中的流变较少受到关注。从故事阐释者对戏曲与弹词功能的理解差异、阐释者的经历与当下视域等层面,考察以文人戏曲《花前一笑》、吴音弹词《三笑新编》、客家戏曲《翠花缘》为代表的故事文本在传播过程中产生的阐释重心偏移与变化,有助于我们更全面地认识民间故事从文人创作到民间演绎、从江南地区向南方山区逐渐迁移的过程及其形式以及因作者主观性阐释对民间故事流变产生的影响。 |
| 关键词: 唐伯虎点秋香 戏曲 弹词 视域融合 阐释差异 |
| DOI：10.13216/j.cnki.upcjess.2020.05.0009 |
| 分类号:I207.7 |
| 基金项目:福建省社会科学规划青年项目(FJ2019C018);龙岩学院校青年攀登课题(LQ2017009);龙岩学院2019年校级教育教学改革课题(2019JY02) |
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| On the Three Versions of "Scholar Tang Bohu and the Maid Qiu Xiang":The Differences in Interpretation of Traditional Chinese Opera from the Perspective of Fusion of Horizons |
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HUANG Jun1, ZHENG Shanshan2
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(1.Normal Education College, Longyan University, Longyan, Fujian 364000, China;2.School of Communication and Design, Longyan University, Longyan, Fujian 364000, China)
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| Abstract: |
| There are different versions of the story of "Scholar Tang Bohu and the Maid Qiu Xiang" in Chinese operas. However, the development and changes of this kind of story in opera and Tanci have been rarely noticed. In this paper, the shift of interpretation focus and changes of this story are examined from such aspects as the different understanding of the functions of opera and Tanci by interpreters, the experiences of interpreters and current horizons, etc., focusing on the literati writing of Hua Qian Yi Xiao, the Tanci in Wu Dialect of San Xiao Xin Bian, the Hakka opera of Cui Hua Yuan. This study can help us understand better the shift and form of folktales from literati writing to folk interpretation, from Jiangnan region to the mountain areas in the south, and the influence of the author's subjective interpretation on folktales. |
| Key words: "Scholar Tang Bohu and the Maid Qiu Xiang" opera Tanci fusion of horizons difference of interpretation |
