| 摘要: |
| “卧游”与“如画”作为中西方两个重要的美学范畴,都主张借助关于自然的绘画来欣赏自然,不过两者存在显著区别:“卧游”所借助的山水画重写意,而“如画”所借助的风景画重写实；“卧游”主张山水以形媚道,故自然之地位比绘画重要,“如画”则追求形式美,风景画是自然欣赏的标准,故绘画之地位比自然重要；“卧游”偏重以非身体化的方式体验自然,欣赏者囿于一室之内,而心游万物,“如画”则偏重以身体化的方式体验自然,旅游者带着猎奇心理与视觉占有欲,身游大自然之中；“卧游”具有畅神与疗疾之功能,“如画”则为人们在审美上向自然进军提供了心理保护。比较“卧游”与“如画”,可以窥探中西方欣赏自然的差异之处,透视中西方文化传统对待自然的不同态度。 |
| 关键词: 卧游 如画 自然审美 |
| DOI：10.13216/j.cnki.upcjess.2022.01.0012 |
| 分类号:B835 |
| 基金项目:国家社会科学基金重大项目(19ZDA044) |
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| Comparison of "Mind Travel" with "Picturesque" from the Perspective of Natural Appreciation |
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WANG Xiaoli1, ZHOU Sizhao2
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(1.Center for Literary Theory and Aesthetics, Shandong University, Jinan, Shandong 250100, China;2.College of Literature, Qingdao University, Qingdao, Shandong 266071, China)
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| Abstract: |
| Mind Travel" and "Picturesque" are two important aesthetic categories in Chinese and Western aesthetics respectively. The common view in these categories is appreciating nature through paintings of nature. However, there are notable differences between them:in landscape paintings of "Mind Travel", importance is attached to freehand brushwork, while in landscape paintings of "Picturesque" importance is attached to realism. Mind Travel theory stresses that the landscape approaches Tao through the beauty of its shape, so nature takes a more important status than painting. Picturesque theory pursues the formal beauty, and landscape painting is the standard of natural appreciation, so painting takes a more important status than nature. Mind Travel theory emphasizes the non-physical experience of nature, in which appreciators are confined to one room while the mind tours in all things. However, Picturesque theory stresses the physical experience of nature and tourist takes a physical tour of nature with curiosity and visual acquisitiveness. "Mind Travel" has the functions of pleasing spirits and treatment of diseases, while "Picturesque" provides psychological protection to people 's aesthetic march to nature. The comparison of "Mind Travel" and "Picturesque" can not only reflects the differences in Chinese and Western natural aesthetics, but also reflects the different attitudes to nature in China and the West. |
| Key words: Mind Travel Picturesque natural appreciation |
