| 摘要: |
| “野”作为中国古代文论与美学的核心概念,源流深广。从古文字上考察,“野”的初文为“埜”,原本指涉与社祭密切相关的神圣空间。在哲学层面,道家赋予“野”自然之性与邈远之境,寄寓了对自然与自由的追求。汉魏之际,“埜”演进为“野”,并从《庄子》中形而上的哲学之“象”转变为了文学之“象”,成为艺术评价的审美标准,“野趣”亦成为山水诗的审美追求。唐代文人将“野”擢升为一种诗学观念,司空图将“疏野”正式确立为美学范畴。至此,“野”完成了从地理空间到哲学意境、再到文人精神栖居地的蜕变,标志着自然审美与个体自由在诗学层面的深度契合。 |
| 关键词: 埜-野 野人 疏野 仪式 审美观念 |
| DOI：10.13216/j.cnki.upcjess.2026.03.0014 |
| 分类号:I206.2 |
| 基金项目:国家社会科学基金项目(22CZX058) |
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| From Ritual to Poetics:Genesis, Evolution, and Canonization of the Aesthetic Idea of Ye |
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WEI Junda1, LING Yijing2,3
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(1.School of Chinese Language and Literature, Zhengzhou University, Zhengzhou 450001, Henan, China;2.Research Center for Literary Theory and Aesthetics , Beijing Normal University, Beijing 100875, China;3.School of Chinese Language and Literature, Beijing Normal University, Beijing 100875, China)
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| Abstract: |
| As a core concept in ancient Chinese literary theory and aesthetics, ye (野, rusticity) possesses a profound and far-reaching intellectual genealogy. From the perspective of paleography, its earliest form was埜, which originally referred to a sacred space closely associated with communal sacrificial rites. At the philosophical level, Daoism endowed ye with connotations of natural spontaneity and expansive remoteness, embodying an aspiration toward nature and freedom. During the Han and Wei periods, 埜evolved into 野, undergoing a transformation from a metaphysical philosophical "image"(xiang) in the Zhuangzi to a literary image, thereby becoming an aesthetic criterion for artistic evaluation.At the same time, the notion of "rustic charm"(yequ) emerged as a distinctive aesthetic pursuit in landscape poetry.In the Tang dynasty, literati further elevated ye into a poetic and critical concept, while Sikong Tu formally established "untrammeled rusticity"(shuye) as an aesthetic category. By this stage, ye had completed its transformation from a geographical space to a philosophical realm, and ultimately to a spiritual dwelling place for the literati, marking a profound convergence between the aesthetic appreciation of nature and the pursuit of individual freedom within Chinese poetics. |
| Key words: ye (埜-野) rustic men Shuye rituals an aesthetic concept 英文编校:韩淑芹 |
